Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Diego Velazquez
The Buffoon Don Cristobal de Castaneda y Pernia (Barbarroja) (df01)

ID: 22570

Diego Velazquez The Buffoon Don Cristobal de Castaneda y Pernia (Barbarroja) (df01)
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Diego Velazquez The Buffoon Don Cristobal de Castaneda y Pernia (Barbarroja) (df01)


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Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet  Related Paintings of Diego Velazquez :. | A Dwarf Sitting on the Floor (mk08) | So-called Barber to the Pope (detail) (df01) | Portrait de I'infante Marguerite (df02) | Portrait du bouffon don Juan de Austria (df02) | Portrait du bouffon Pablo de Valladolid (df02) |
Related Artists:
Adalbert Waagen
painted Bucht von Palermo mit Blick auf Monte Pellegrino in 1896
Nicholas Hilliard
1547-1619 British Nicholas Hilliard Galleries Nicholas Hilliard (c. 1547?CJanuary 7, 1619) was an English goldsmith and limner best known for his portrait miniatures of members of the courts of Elizabeth I and James I of England. He mostly painted small oval miniatures, but also some larger cabinet miniatures, up to about ten inches tall, and at least the two famous half-length panel portraits of Elizabeth. He enjoyed continuing success as an artist, and continuing financial troubles, for forty-five years, and his paintings still exemplify the visual image of Elizabethan England, very different from that of most of Europe in the late sixteenth century. Technically he was very conservative by European standards, but his paintings are superbly executed and have a freshness and charm that has ensured his continuing reputation as "the central artistic figure of the Elizabethan age, the only English painter whose work reflects, in its delicate microcosm, the world of Shakespeare's earlier plays.
Antonio Puccio Called Pisanello
Verona before 1395-ca 1455






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